reviews
“Caiti Marlowe plays ditzy blonde co-worker Audrey. Marlowe imbues Audrey with the honesty and earnestness required so as not to turn the character into a caricature. Marlowe's wholehearted investment in Audrey's signature song, "Somewhere That's Green" gives the character even more depth.”
-Miami Art Zine
“…scenes between Seymour and Audrey sound impressively sincere and sympathetic. Seymour (Nick Anastasia) and Audrey (Caiti Marlowe) convince us that they belong together. And, so, we pull for them to become a couple. In particular, we hear a longing and loving quality in the performers’ voices as they sing tender songs such as “Somewhere That’s Green” and “Suddenly Seymour.”
-Florida Theatre Onstage
Ariel Moore in Footloose (2019)
“Marlowe[…]gives one of the most energetic "triple threat" performances of the night as Ariel. Physically, Marlowe is in her element, confidently performing her dance steps with charisma and style, especially during the ever-sexual "The Girl Gets Around". Her relationships are well-defined with her fellow actors throughout the evening, especially with Gawlikowski's Ren and Tivnan's Rev. Moore. Vocally, Marlowe seamlessly transitions from a clear mix voice with a forward placement to a powerhouse belt during "Holding Out for a Hero."
-Broadway World
“Marlowe imbues Ariel with a bit of a rebellious streak and an exasperation that makes it clear that she is tired of her father’s smothering nature. Marlowe’s Ariel is also assertive and ambitious.”
-Miami Arts Zine
“Caiti Marlowe returns to the Slow Burn Theatre Co. stage as Ariel Moore, playing to her strengths as an ingénue.”
-When The Lights Go Out Magazine
Sandy dumbrowski in grease (2018)
“Jonah Robinson as cool guy Danny and Caiti Marlowe as the innocent Sandy click vocally and romantically.
Marlowe’s sunnily powerful voice banishes the ghost of Newton-John in “Hopelessly Devoted to You.” She pours equal warmth into tunes she shares with other singers, such as “It’s Raining on Prom Night,” when Sandy, alone in her bedroom, sings a counterpoint to Jan, a prize winner at the school dance.”
-Palm Beach Daily News
SARAH BROWN IN GUYS AND DOLLS (2022)
As the uptight, passionate Brown, Marlowe is believably tense as the character, rather than seeming nervous as an actor performing. Also, she has a strong, expressive singing voice.
-Theatrical Musings
"When Burrows/Loesser allow it, Marlowe lets loose her lovely voice with a winning “If I Were A Bell” and in the hilarious duet with Sessa “Marry the Man Today.”
-Florida Theatre Onstage
"...a perfect contrast to Marlowe’s sweeter soprano and aura of untouchability. Marlowe also excels at delivering a complete change of energy and loss of inhibitions after her character unwittingly consumes some milkshakes spiked with Bacardi."
-South Florida Theatre Magazine
HEATHER VAN PREE IN NANA’S NAUGHTY KNICKERS (2017)
Edythe Herbert in My one and only (2019)
“Marlowe has a dulcet voice to caress the Gershwin score and her dancing is just as fine as Seay’s in their terpsichorean duets.”
- Florida Theatre on Stage
PATTY SIMCOX in grease (2022)
"Meanwhile, understudies were also in the mix last weekend: Caiti Marlowe had only a few days to learn the role of pushy Patty Simcox...Marlowe stole the show in her comedic scenes with the dorky Eugene."
-South Florida Theatre Magazine
"During the performance that I attended, an understudy, Caiti Marlowe, squealed with excitement as the comical Patty. Marlowe, skipping across the stage, imbued this cheerleader with uncontained girlish enthusiasm."
-Theatrical Musings
“Caiti Marlowe is a sassy, funny and sexy standout as the slinky and ambitious Heather Van Pree; like all great support players, you want to peel off with her and see what her life is like.”
- Ithaca Times